After a Summer Storm: View from our Office
An inspirational view out our office windows yesterday evening, courtesy of a wild thunderstorm and the sunset. We love New York.
Over the past 150 years, the YMCA of Greater New York has built a network of 24 locations serving nearly half a million people in neighborhoods across the 5 boroughs. Two Twelve is thrilled to be partnering with the YMCA to develop a comprehensive, adaptable wayfinding and signage system that will unify the experience at every branch.
Two Twelve is a public information design firm with roots in wayfinding, the art and science of helping people navigate the built environment. A pioneering force in the environmental—or experiential—graphic design (EGD) industry, Two Twelve has since expanded its capabilities to include sophisticated information design as well as signage. With the belief that the principles of wayfinding can be applied to complex information as well as complex spaces, we take pride in our strategy-driven approach to projects of all sizes.
In our work, we strive to make the world a better place through design. We appreciate that public information design is for everyone, and we leverage our collaborative process to advocate for the user experience and generate better outcomes.
We excel in tackling challenging environments and information. Every project has a hidden logic, and we apply a collaborative, creative process to build strategies and develop designs from that logic. We value the diverse perspectives of our team and benefit from their varied approaches to complex problems. With an emphasis on sharing ideas and resources, our process yields custom solutions for each and every project.
Alexandria Real Estate Equities, Inc
Alpha Partners
American Airlines Center, Dallas
American Institute of Architects, New York Chapter (AIANY)
American Institute of Graphic Arts
Apollo Theater
The Art Directors Club, Inc.
Arts, Culture, Philanthropy & Advocacy
Ballinger
Baltimore Symphony Orchestra
Barnard College
Bear Stearns
Bellevue Hospital
Bermello Ajamil & Partners, Inc.
Bike New York
Botanical Research Institute of Texas
Breaking Ground
Brennan Beer Gorman/Architects
Bridgeport Intermodal Transportation Center
Brisbin Brook Beynon Architects
Brookfield Properties
Brooklyn Bridge Park Conservancy
Brooklyn Cruise Terminal
Brooklyn Museum
Cambridge Seven Associates
Canizaro Cawthon Davis
Capital Properties
Carnegie Hall
Centers for Medicare & Medicaid Services
Central Synagogue
Chase Manhattan Bank, N.A.
Cho Benn Holback + Associates
Cigna
Cincinnati Transit Authority
Citibank, N.A.
Civic Entertainment Group
Collins Center for the Arts
Columbia University
Cooper-Hewitt, National Design Museum
Cooper University Health Care
Cosentini Associates
Counter Restaurant, Manhattan
Daniel Frankfurt, PC
David & Peggy Rockefeller Collection
DIA Center for the Arts
Dickies Arena
DMJM Harris
Downtown New York River to River Festival
Downtown Partnership of Baltimore
Downtown Partnership of New York
Duke Medical Center
Ehrenkrantz Eckstut & Kuhn Architects
Election Assistance Campaign
Empire State Development Corporation
Erie Canalway National Heritage Corridor
The Evergreen Health Cooperative
Exchange Place Alliance
Five Front, Brooklyn
Flack + Kurtz Inc.
Flad & Associates
Ford Foundation
H3 Hardy Collaboration Architecture Associates
Hargreaves
Hillwood Development Corp
Hines Limited
HKS, Inc.
HNTB
HOK
Honolulu Authority for Rapid Transportation (HART)
HR&A Advisors, Inc.
Hudson Fairfax Partners
Ike Kligerman Barkley
Indiana University Purdue University Indianapolis
Indiana-Purdue Fort Wayne University
International Fellowship Fund
Jack L. Gordon Architects
James McCullar & Associates Architects
Jewish Community Center
Jones Lang LaSalle
The LA Group
Lenox Hill Hospital
The Liberty Group
Lincoln Center for the Performing Arts
Lower Manhattan Development Corporation
M. Paul Friedberg and Partners
Madison Avenue Presbyterian Church
Maryland Transit Administration
Massachusetts Department of Public Works
Massachusetts General Hospital
Mathews Nielsen Landscape Architects
Meadowlands Xanadu, New Jersey
Memorial Sloan Kettering Cancer Center
Mercy College
Metropolitan Transportation Authority
MetroTech Business Improvement District, Brooklyn
Meyerhoff Symphony Hall
MGM Resorts International: Springfield
MGM Resorts International: Vdara
Michael Van Valkenburgh Associates
The Mills Corporation
Mondawmin Mall, Baltimore
Montgomery College
Montgomery Watson Harza
MTA Long Island Railroad / Long Island Bus
Multilateral Investment Fund at the Inter-American Development Bank
The Municipal Art Society of New York
NAT's Kids, Brooklyn
New York Botanical Garden
New York Institute of Technology
New York Jets and New York Giants
New York Law School
New York State Urban Development Corporation
New York University
New York University Langone Health
New York Zoological Society
Newport Associates Development Company
NewYork-Presbyterian Hospital/Weill Cornell Medical Center
NYC Department of Citywide Administrative Services
NYC Department of Consumer Affairs
NYC Department of Health and Mental Hygiene
NYC Department of Parks and Recreation
NYC Department of Transportation
NYC Economic Development Corporation
NYC Housing Authority
NYC Municipal Water Finance Authority
NYC2012 Organizing Committee
Office of the Mayor of New York City
Office of the Mayor of Washington, DC
Ohio University
The Olnick Organization
Orchestra Hall, Minneapolis
Packer Collegiate Institute
Parsons Brinckerhoff
Patrick L. Pinnel Architect
Pei Cobb Freed & Partners
Perkins Eastman Architects
Pier 12, Brooklyn
Populous
Port Authority of New York & New Jersey
Prudential Douglas Elliman
Punahou School
Quartararo & Associates, Inc
Queens West Development Corporation
Quennell Rothschild & Partners, LLP
R.M. Kliment & Frances Halsband Architects
Ralph Lauren Center for Cancer Care and Prevention
Restaurant Associates
Reynolds Performing Arts Center
Rhode Island Airport Authority
Robert Hatfield Ellsworth
Robert Wood Johnson Foundation
The Rockefeller Foundation
Rockrose Development Corporation
Rockwellgroup
The Ronald O. Perelman Performing Arts Center at the World Trade Center
RXR Realty
Sam Schwartz Engineering
Schermerhorn Symphony Center
Severance Hall, Blossom Music Center
Sewanee: The University of the South
The Shops at Atlas Park, Queens
The Smith Center for the Performing Arts
Society for Experiential Graphic Design (SEGD)
South Street Seaport & Marketplace
St. Mark's Cathedral
Standard & Poor's
Starwood Hotels & Resorts Worldwide
Sterling Equities
The Stubbins Associates
Struever Bros., Eccles & Rouse
SUNY Albany: Arts & Sciences Building
SUNY Fredonia: Rockefeller Arts Center
SUNY University at Buffalo
Swiss Bank Corporation
T. Rowe Price Associates
TAMS Consultants
Ten W Architects
Tide Point, Baltimore
Times Square Business Improvement District
Towson University
Tradition Field, Port St. Lucie
Trinity College
Tsoi Kobus Architects
Two River Theatre Company
U.S. Japan Council
United States Courthouse at Foley Square
United States Post Office
United Way
University of Maine
Urban Place Consulting Group Inc
US Tennis Association, Davis Cup
USA Weightlifting National Championships
van Dijk Westlake Reed Leskosky, now: Westlake Reed Leskosky
Van Wagner Communications, LLC
Van Wagner Sports Group, LLC
Victoria Ward Center
Vietnam Veterans Memorial
Waikiki Business Improvement District Association
Wall Street Pier 11
Wallace Floyd Design Group
Washington Group International
Washington Metropolitan Area Transit Authority
Weihe Design Group
The Whitaker Center, Harrisburg
William Nicholas Bodouva + Associates
Women's World Banking
World Championships of Freestyle Wrestling
World Outdoor Target Archery Championships
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YMCA of Greater New York
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An inspirational view out our office windows yesterday evening, courtesy of a wild thunderstorm and the sunset. We love New York.
Of course we all know the 2012 Olympics are currently being held in London, but it wasn't always so. Back before the London Olympics were a reality, many New Yorkers and New York organizations, including Two Twelve, were involved with NYC2012 — the organization responsible for New York City's bid to host the Olympics. From 2000-2004, we were responsible for designing the bid books and venue graphics for the official submissions to both the United States Olympic Committee (USOC) and the International Olympic Committee (IOC).
It's so easy to get lost in our everyday tasks, often forgetting to take time to observe the simple beauty that surrounds us. Sometimes, you need a reminder to slow down and find some creativity in the mundane. Through the lens of nostalgia, we're now able to capture the beauty in the every day with iPhone Apps like Instagram, Phonto, and Pixlromatic (to name a few) and catalog these moments in our pockets for future inspiration.
Our new series, Shots from the Street, challenges us to take a closer look at the world around us and remind ourselves of why we live and work in this great city.
YouTube offers a view from the stands of performances in honor of the Third Annual Japanese Heritage Night at the New York Mets Citi Field, hosted last month.
Japanese Heritage Night is an important fundraising event, with a portion of each ticket sale purchased online going to the Tomodachi Fund of the U.S.-Japan Council. The Tomodachi Fund supports Japan's recovery from the 2011 earthquake and tsunami through the strengthening of cultural and economic ties and individual exchange between the United States and Japan.
Ann Harakawa, Two Twelve Principal, U.S.-Japan Council delegate, and Board member of the Japanese American National Museum, helped to initiate this yearly event through her long term professional relationship with the Mets. Through her involvement, Two Twelve contributed by designing invitations, banners and programs to help promote and commemorate the event.
http://www.youtube.com/watch?v=KRuucs9l-LQ&feature=em-share_video_user
In 1989, the year that the Walker Art Center exhibited Graphic Design in America (its first and last comprehensive exhibition on graphic design), corporate Modernism was singing its swan song and April Greiman, the New Wave pioneer of the exhibition's patriotic masthead , was ushering a generation of designers into a decade of graphic expression and individualism. Though the turn was both stylistic and idealistic, it was driven by the presence of the personal computer, which put the means of production in the hands of the designer. Fast forward to 2012, Graphic Design — Now in Production surveys the state of the designer-as-producer in the new millennium. As the tools of the designer have evolved, has the designer evolved with them?
As part of our work at MetLife Stadium, the home of the NFL's New York Giants and New York Jets, we were asked to create a set of iconic signs to identify the stadium's concessions. The goal was to evoke the jumbled energy of New York's streetscape on a limited budget in the span of a few months. No problem!
Drawing from our experience at Citi Field, we were familiar with different methods of capturing fans attention in the hustle and bustle of the game day environment. Armed with the stadium's seven offerings, from burgers and hot dogs to cheesesteaks and a delicatessen, we jumped into design. Working closely with concessionaires at Delaware North, we were able to visually connect their food concepts to the iconic regional food offerings that inspired their menus by studying historic and contemporary photos of the Jersey Shore's classic boardwalks, Coney Island's Astroland, and New York City's Lower East Side. The greatest challenge was defining the typographic character and color palette for each option. How do you capture the energy of those locations in a single panel?
The New York Landmarks Conservancy honored Two Twelve with the Lucy G. Moses Preservation Award, the Conservancy's highest honor, for their work with Ennead Architects in the restoration of New York City Center. Recognized as New York City's leading center for dance and musical theater, City Center began a comprehensive renovation project in 2010 to restore the authentic beauty and charm of their landmark building. Two Twelve's elegant wayfinding signage and donor system both compliment the building's elaborate architectural patterns and filagree, while helping visitors and staff navigate the building with ease.
It's early June, and once again time for the annual SEGD gathering and gabfest. In other words THE conference, our big event of the year. It used to be called the "national" conference, but that doesn't make sense any more. Last June it was in Canada, and these days, SEGD is more international than ever. In any case, it's a great opportunity to network, tell our stories, be inspired, snag some new ideas, and just catch up.
The 2011 conference was in Montreal, the city where I was born. I helped organize and run that one, and my dear friend, Sylvia Harris, was one of the final speakers on the program. As it happens, it was her last public performance, and yes, it truly was a performance, as she shared her experience and opinions about why it is real, living, breathing people for whom we actually design. This summer Montreal is in turmoil, with its raucous, unhappy students disrupting everyday life, so it's a good thing that we have moved on to New York City for our annual gathering.
Recently AIGA/NY held a celebration for the 30th anniversary of the New York Chapter of AIGA,, the largest and one of the oldest in the country. Debbie Millman hosted the evening at the SVA Theater and 12 designers presented different aspects of the AIGA/NY story. I was asked to talk about the time after 9/11.
GPS can be a real marriage buster. Using the damn thing often makes me and my husband argue. You see, we are a mixed marriage, he loves it and I hate it. It's amazing how that calm, reassuring voice of the GPS (we call her "Alexus") gets us worked up while we are on a nice excursion somewhere. It all comes down to different styles of receiving and processing information and our personal relationships to maps and digital tools.
I recently met with a group of students from New York University's graduate Interactive Telecommunications Program. We were talking about the relationship between wayfinding through physical space and navigation in digital media. One of the students brought up the work of Steven Krug who wrote, Don't Make Me Think, the seminal book on web usability. The book is now twelve years old but Krug's ideas still carry a certain currency in the user experience world.
Two Twelve is a public information design firm that develops sustainable, user-centered designs to help people understand an increasingly complicated world.
t: 212 254 6670
f: 212 254 6614
236 West 27th Street, Suite 802
New York, NY 10001
Two Twelve is a public information design firm that develops sustainable, user-centered designs to help people understand an increasingly complicated world.